https://gwenillwyd.com ☞☞☞ GWENI LLWYD ☜☜☜ Wed, 22 Oct 2025 09:00:18 +0000 https://gwenillwyd.com en https://gwenillwyd.com/CLICK-ME Wed, 22 Jul 2020 12:39:50 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/CLICK-ME <img width="313" height="313" width_o="313" height_o="313" data-src="https://freight.cargo.site/t/original/i/03cc31491a60c97d0424de44dc33ae9b9b57c6491165c56badc55011f7a49fb1/step0001.gif" data-mid="78040883" border="0" data-scale="100" src="https://freight.cargo.site/w/313/i/03cc31491a60c97d0424de44dc33ae9b9b57c6491165c56badc55011f7a49fb1/step0001.gif" /> https://gwenillwyd.com/info-cv Tue, 09 Mar 2021 16:30:02 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/info-cv `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧&nbsp; •°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` &nbsp; ☞ contact: gwenillwyd1[at]gmail.com ☞ click here for full CV ☞ additional links Gweni Llwyd is an artist working across tactile and digital forms. She creates playful, layered works that explore the entanglements between personal, collective, and more-than-human experiences. Her practice invites us to consider how all life is bound together as part of a messy, shared metabolism. Recent projects include: Language(s), Garage, Rotterdam (2025); ArtLabo, Île de Batz, Brittany (2025); Carreg Ateb, Mostyn, Llandudno (2025); Summer Lab Residency, Rib, Rotterdam (2024); Artes Mundi x Oriel Machno Residency (2024); Traces of a Cathode, s1 ArtSpace, Sheffield (2023); Partial View, MaMa, Rotterdam (2023); Elan Links Residency, Elan Valley (2023).Gweni has received multiple fellowships, prizes and awards such as: Colwinston Trust Award (2025); the National Eisteddfod of Wales Young Artist Scholarship (2018); Arts Council of Wales Brian Ross Memorial Award (2018); Artists Futures Fund Step Change Fellowship (2017-2018). Gweni has an MA in Fine Art from Piet Zwart Institute, Rotterdam and a BA in Fine Art from Cardiff School of Art and Design.&nbsp;She is currently a Lecturer in Fine Art at Cardiff School of Art and Design. https://gwenillwyd.com/work Tue, 09 Mar 2021 19:12:14 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/work `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` ☞ Red Vein / Faengoch ☞ The Rise and Fall of the Meterology Department ☞ Membrane ☞ Ghost Monuments ☞ Silicon Retina ☞ Six to six (to six to six to six to six to) ☞ The Water Keeps Changing Colour ☞ Becoming a Legend ☞ Chewing Time ☞ RAT TRAP x g39 https://gwenillwyd.com/links Tue, 26 Mar 2024 13:20:01 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/links `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧&nbsp; •°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` ☞ Vimeo ☞ Instagram Essays / Press / Publications: ☞ ArcadeCampfa Online Residency August 2023 ☞&nbsp;Traces of a Cathode curated by Joe Cutts - Art Monthly (May 2023) ☞ Metropolis M magazine July 2023 (Dutch language feature) ☞ Researching and imagining support for Welsh and Wales based artists to develop and sustain internationally connected practice (2021)&nbsp; ☞ Gender, Robots and Tactility - Emily Hartless (2018) ☞ Dwylo Blewog - Heledd C. Evans (2017) https://gwenillwyd.com/Red-Vein-Faengoch Wed, 22 Oct 2025 09:00:18 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/Red-Vein-Faengoch `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="4284" height="4746" width_o="4284" height_o="4746" data-src="https://freight.cargo.site/t/original/i/737c7a7b62d48550ebd1d45219ea8919790923dea436fd1f3697b302af2598d9/unnamed-5.png" data-mid="239706028" border="0" src="https://freight.cargo.site/w/1000/i/737c7a7b62d48550ebd1d45219ea8919790923dea436fd1f3697b302af2598d9/unnamed-5.png" /> <img width="2743" height="1899" width_o="2743" height_o="1899" data-src="https://freight.cargo.site/t/original/i/96c6f7b4e53376198e39c6115eed13e0fc16d82fb4a14e8a477988c332612c0d/Capture4.PNG" data-mid="239706022" border="0" src="https://freight.cargo.site/w/1000/i/96c6f7b4e53376198e39c6115eed13e0fc16d82fb4a14e8a477988c332612c0d/Capture4.PNG" /> <img width="2010" height="1483" width_o="2010" height_o="1483" data-src="https://freight.cargo.site/t/original/i/a4a4e08e17b78d0155b27d1fc616108b3e38e2c8184e6cedab683bfc9ba946c2/Capture.PNG" data-mid="239706021" border="0" src="https://freight.cargo.site/w/1000/i/a4a4e08e17b78d0155b27d1fc616108b3e38e2c8184e6cedab683bfc9ba946c2/Capture.PNG" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/414d2eefbd701a126eacb1e1a02cef6d43b09a5468d26e462b9fea956e609f49/Capturegh.PNG" data-mid="239706029" border="0" src="https://freight.cargo.site/w/1000/i/414d2eefbd701a126eacb1e1a02cef6d43b09a5468d26e462b9fea956e609f49/Capturegh.PNG" /> <img width="2296" height="1529" width_o="2296" height_o="1529" data-src="https://freight.cargo.site/t/original/i/63535747bcac1e923cf036090275fc79f55671719fa744b81da7b6e37c1f5e41/gweni1.PNG" data-mid="239706026" border="0" src="https://freight.cargo.site/w/1000/i/63535747bcac1e923cf036090275fc79f55671719fa744b81da7b6e37c1f5e41/gweni1.PNG" /> Red Vein / Faengoch (2025) Two-channel video with sound, 12’0Made with support from the Colwinston Trust. Commissioned as part of National Gallery 200: Triumph of Art, a project by Jeremy Deller. Red Vein transforms the slate-scarred landscapes of North Wales into a rhythmic exploration of resilience, memory, and imagination. Rooted in Dyffryn Nantlle - a rural Welsh-speaking valley shaped by centuries of slate extraction - The work reimagines quarries not just as sites of labour and loss, but as places of potential, creativity, and collective transformation. In the 1990s and 2000s, these post-industrial spaces became unlikely gathering grounds for free parties - “temporary autonomous zones” where people resisted hardship through critical hedonism and connection. These moments of rebellion and joy marked a reclaiming of land once carved by exploitation, revealing how pleasure can be a form of protest and renewal. Weaving together archival fragments, personal memory, and Welsh-language oral histories, Red Vein layers images and sounds of industrial labour with intimate materials: hand-drawn rave maps, photographic archives, hazy recollections. In doing so, it explores how histories - both inherited and lived - are carried through the body, the land, and the collective imagination. Through this layered lens, the work asks: how do we remember, resist, and remake the places we inherit? Soundtrack: Crwban Voices: Sandra Jones, Jo Clark, Emma Lewis Archive material: Gwynedd Archives Service, National Library of Wales Screen and Sound Archive, Jo Clark, Fi Pheeva Commissioned as part of National Gallery 200: Triumph of Art, a national project by Jeremy Deller. https://gwenillwyd.com/The-Rise-and-Fall-of-the-Meteorology-Department Wed, 08 Jan 2025 15:01:46 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/The-Rise-and-Fall-of-the-Meteorology-Department `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="2000" height="1316" width_o="2000" height_o="1316" data-src="https://freight.cargo.site/t/original/i/e424d4e1757cbc7ef03f8f6ead96ffe64b88e6a592e59ee9fc808d95f8e39cff/GNG1.jpg" data-mid="224371989" border="0" src="https://freight.cargo.site/w/1000/i/e424d4e1757cbc7ef03f8f6ead96ffe64b88e6a592e59ee9fc808d95f8e39cff/GNG1.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1a57fa72b2f46df7d20fd52c60c7f8c8e023e8b8d1f4d8799777f4d1bfa16be4/GNG2.jpg" data-mid="224371990" border="0" src="https://freight.cargo.site/w/1000/i/1a57fa72b2f46df7d20fd52c60c7f8c8e023e8b8d1f4d8799777f4d1bfa16be4/GNG2.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/afce14a57cb5a43302eaceba4988b19e05bf63d69a008332554be8a5d1ad53bf/GNG3.jpg" data-mid="224371991" border="0" src="https://freight.cargo.site/w/1000/i/afce14a57cb5a43302eaceba4988b19e05bf63d69a008332554be8a5d1ad53bf/GNG3.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/178096339128ab20ab26dfca72ae320a7cff6a0395c4bbb7ee94faf3a69a9935/GNG4.jpg" data-mid="224371992" border="0" src="https://freight.cargo.site/w/1000/i/178096339128ab20ab26dfca72ae320a7cff6a0395c4bbb7ee94faf3a69a9935/GNG4.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ecab1545964b08ddb596227603e22f5669e8869917dba7eb2a8336bf410238a4/GNG5.jpg" data-mid="224371993" border="0" src="https://freight.cargo.site/w/1000/i/ecab1545964b08ddb596227603e22f5669e8869917dba7eb2a8336bf410238a4/GNG5.jpg" /> The Rise and Fall of the Meteorology Department (2024)Supported by Wales Arts International and CBK Rotterdam. Made in collaboration with Nadine Ghandour, as part of our Summer Lab Residency at Rib Rotterdam.While on the residency, we created narratives in response to weather forecasting, premonitions, and the geopolitics of weather. We used Rib as a studio space to develop and experiment with text, drawings, moving image and performance works.Photos: Agata Sznurkowska https://gwenillwyd.com/Membrane Tue, 26 Mar 2024 13:36:23 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/Membrane `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="1184" height="905" width_o="1184" height_o="905" data-src="https://freight.cargo.site/t/original/i/ef263953c275cdaa0751670bc066bb3e3d64b7e51a33af58455e88be8924ffbe/Membrane_GLLWYD_2023_4.png" data-mid="207640456" border="0" src="https://freight.cargo.site/w/1000/i/ef263953c275cdaa0751670bc066bb3e3d64b7e51a33af58455e88be8924ffbe/Membrane_GLLWYD_2023_4.png" /> <img width="1244" height="848" width_o="1244" height_o="848" data-src="https://freight.cargo.site/t/original/i/a54755e5a595ea083e4aa413b06301a6ad89731db47ec7098483af1ecbca9b07/Membrane_GLLWYD_2023_6.png" data-mid="207640496" border="0" src="https://freight.cargo.site/w/1000/i/a54755e5a595ea083e4aa413b06301a6ad89731db47ec7098483af1ecbca9b07/Membrane_GLLWYD_2023_6.png" /> <img width="3747" height="2932" width_o="3747" height_o="2932" data-src="https://freight.cargo.site/t/original/i/12953c62b901c738beddf560d69099fc214e4916f12575f7023a04b5874b1692/Membrane_GLLWYD_2023_8.png" data-mid="207640498" border="0" src="https://freight.cargo.site/w/1000/i/12953c62b901c738beddf560d69099fc214e4916f12575f7023a04b5874b1692/Membrane_GLLWYD_2023_8.png" /> <img width="2268" height="2743" width_o="2268" height_o="2743" data-src="https://freight.cargo.site/t/original/i/0d3d796004cce9da50636fb92e631f89a2a8941fd0d3de00dc4b3400245115e1/Membrane_GLLWYD_2023_3.png" data-mid="207641126" border="0" src="https://freight.cargo.site/w/1000/i/0d3d796004cce9da50636fb92e631f89a2a8941fd0d3de00dc4b3400245115e1/Membrane_GLLWYD_2023_3.png" /> <img width="3024" height="3882" width_o="3024" height_o="3882" data-src="https://freight.cargo.site/t/original/i/f7f2312ad0214a181dcb6afc3c3f2e3e7624068e498ecc9a4059483d55ba73e5/Membrane_GLLWYD_2023_1.png" data-mid="207640492" border="0" src="https://freight.cargo.site/w/1000/i/f7f2312ad0214a181dcb6afc3c3f2e3e7624068e498ecc9a4059483d55ba73e5/Membrane_GLLWYD_2023_1.png" /> <img width="2268" height="1740" width_o="2268" height_o="1740" data-src="https://freight.cargo.site/t/original/i/e616348e44543510f50fc0dcb0edf5faab46ea48b4bc8cf892c2bd1a161e751b/Membrane_GLLWYD_2023_2.png" data-mid="207641134" border="0" src="https://freight.cargo.site/w/1000/i/e616348e44543510f50fc0dcb0edf5faab46ea48b4bc8cf892c2bd1a161e751b/Membrane_GLLWYD_2023_2.png" /> Membrane (2023) Projection mapped single channel digital animation loop, a two channel moving image on screens with single channel sound, ceramics, faux fur, ink, latex, mdf, metal, polyester, ready-made polytunnel. An installation exploring labour, landscape and different scales of time - taking cues from 90s cartoons, sci-fi movies, contaminated countrysides, empty self help mantras, geology, bugs, internet infrastructures, ergonomics, corporate screen savers and more. Described by contemporary art magazine Metropolis M as: “watching a cartoon version of a David Cronenberg film during an ecstacy trip” (July 2023). https://gwenillwyd.com/Ghost-Monuments Sat, 18 Nov 2023 16:14:11 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/Ghost-Monuments `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="1013" height="1315" width_o="1013" height_o="1315" data-src="https://freight.cargo.site/t/original/i/e17ca549a2a791d4b0876cf84eb9bf1bcc54fb0e2883d088bb8bdcd96011c3a0/Capture1111.PNG" data-mid="207637982" border="0" src="https://freight.cargo.site/w/1000/i/e17ca549a2a791d4b0876cf84eb9bf1bcc54fb0e2883d088bb8bdcd96011c3a0/Capture1111.PNG" /> <img width="1015" height="1319" width_o="1015" height_o="1319" data-src="https://freight.cargo.site/t/original/i/4263b7f18910e7e36bef4e58677bcb98789282ae20a930745cb7975464502e57/Capture1112.PNG" data-mid="207638001" border="0" src="https://freight.cargo.site/w/1000/i/4263b7f18910e7e36bef4e58677bcb98789282ae20a930745cb7975464502e57/Capture1112.PNG" /> Ghost Monuments (2023) publication, 37 pagesThis is a text, formatted into a fanzine, that explores my relationship with Dyffryn Nantlle - a rural Welsh-speaking valley heavily impacted by slate mining. Through layering fragmentary depictions of local industrial and post industrial histories with personal experiences, I examine the lasting effects that growing up in this environment have had on my identity. Some of these fragmentary depictions are of physical matter: mountains, deep quarries and their waste deposits, metro tracks in Rotterdam, the carcasses of sheep. Some are of intangible things: small village rumours, the thumping sounds of illegal raves nearby, Facebook groups, my dad’s DJ mixes, conversations with my best friend before he starts another twelve hour factory shift. This text serves as a reflection on the power of place and community in shaping a sense of self, and how these influences are carried into the future. https://gwenillwyd.com/Silicon-Retina Sat, 04 Sep 2021 14:23:17 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/Silicon-Retina `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧 &nbsp;•°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="1752" height="1168" width_o="1752" height_o="1168" data-src="https://freight.cargo.site/t/original/i/294175a266223e7e74a0b2f22977d18247d20c32941b8633056d501e51a11339/WhatsApp-Image-2021-08-21-at-20.45.13.jpeg" data-mid="118078453" border="0" src="https://freight.cargo.site/w/1000/i/294175a266223e7e74a0b2f22977d18247d20c32941b8633056d501e51a11339/WhatsApp-Image-2021-08-21-at-20.45.13.jpeg" /> <img width="1168" height="1752" width_o="1168" height_o="1752" data-src="https://freight.cargo.site/t/original/i/4042d9b26311453d3f610774f66cf4025ca1212ed02e8d0e9127e789495ecc9f/WhatsApp-Image-2021-08-21-at-20.45.13-2.jpeg" data-mid="118078452" border="0" src="https://freight.cargo.site/w/1000/i/4042d9b26311453d3f610774f66cf4025ca1212ed02e8d0e9127e789495ecc9f/WhatsApp-Image-2021-08-21-at-20.45.13-2.jpeg" /> <img width="1752" height="1168" width_o="1752" height_o="1168" data-src="https://freight.cargo.site/t/original/i/f01bbfcd679f60a699fb237578e7822830a777b29854d69e47995c8c4e651505/WhatsApp-Image-2021-08-21-at-20.45.14.jpeg" data-mid="118078454" border="0" src="https://freight.cargo.site/w/1000/i/f01bbfcd679f60a699fb237578e7822830a777b29854d69e47995c8c4e651505/WhatsApp-Image-2021-08-21-at-20.45.14.jpeg" /> <img width="1120" height="1678" width_o="1120" height_o="1678" data-src="https://freight.cargo.site/t/original/i/9ff1f02cd27a7039951ced16e748d7d7e26bc50a23cee7cddab9fca865c56ec6/241267238_10158534558391553_5537722430049468799_n-2.jpg" data-mid="118078455" border="0" src="https://freight.cargo.site/w/1000/i/9ff1f02cd27a7039951ced16e748d7d7e26bc50a23cee7cddab9fca865c56ec6/241267238_10158534558391553_5537722430049468799_n-2.jpg" /> Silicon Retina (2021)Single channel digital video with sound, 07’52 Comissioned for Green Man Festival, supported by Arts Council Wales and Green Man Trust Gweni Llwyd’s temporary work Silicon Retina, suspended in Green Man Festival’s pine woods, flips the subterranean into the tree canopy. The moving-image work explores the porous boundary between nature and technology, particularly in the landscape. Following a narrative composed of mechanical vibrations, organic rhythms and biomimetic pulses, the piece acts as a portal to what may be dwelling above and below the surface: from sci-fi cells, worm-like network cables, and bionic creatures, to electrical grids and drainage mazes. It draws similarities between supposedly passive or everyday biological and cyborgian systems, highlighting their wonderfully absurd complexities. Photos: Anna Arca and Green Man Festival https://gwenillwyd.com/The-Water-Keeps-Changing-Color Fri, 21 Oct 2022 18:36:46 +0000 ☞☞☞ GWENI LLWYD ☜☜☜ https://gwenillwyd.com/The-Water-Keeps-Changing-Color `•.¸¸.•´´¯`••._.•˜”*°•.˜”*°• &nbsp;𝙶𝚠𝚎𝚗𝚒 𝙻𝚕𝚠𝚢𝚍 &nbsp;|| 𝓌𝑜𝓇𝓀&nbsp; || &nbsp;𝔦𝔫𝔣𝔬+𝕔𝕧&nbsp; •°*”˜.•°*”˜•._.••`¯´´•.¸¸.•` <img width="3314" height="1870" width_o="3314" height_o="1870" data-src="https://freight.cargo.site/t/original/i/ed0888c964c432ddd16528c7910c5c2d32a05bba74659fed8917167ca9d9bba8/Screenshot-2022-09-05-at-13.36.29.png" data-mid="156650313" border="0" src="https://freight.cargo.site/w/1000/i/ed0888c964c432ddd16528c7910c5c2d32a05bba74659fed8917167ca9d9bba8/Screenshot-2022-09-05-at-13.36.29.png" /> <img width="3304" height="1856" width_o="3304" height_o="1856" data-src="https://freight.cargo.site/t/original/i/8b565d4613561084ec4a7341df75b94429a72adeca04f9de3496019b7e63c449/Screenshot-2022-09-05-at-13.35.39.png" data-mid="156650382" border="0" src="https://freight.cargo.site/w/1000/i/8b565d4613561084ec4a7341df75b94429a72adeca04f9de3496019b7e63c449/Screenshot-2022-09-05-at-13.35.39.png" /> <img width="3328" height="1862" width_o="3328" height_o="1862" data-src="https://freight.cargo.site/t/original/i/c4d58fa608bd2c55bc023a39d4100c691baec6f4f16709fdca01c86db43b6405/Screenshot-2022-09-05-at-13.37.43.png" data-mid="156650385" border="0" src="https://freight.cargo.site/w/1000/i/c4d58fa608bd2c55bc023a39d4100c691baec6f4f16709fdca01c86db43b6405/Screenshot-2022-09-05-at-13.37.43.png" /> <img width="2500" height="1663" width_o="2500" height_o="1663" data-src="https://freight.cargo.site/t/original/i/dd3c315b4a72b7a25152e15d5cbc18f7893cbb204e2e66032d48ccc9a0bd36ff/DSC_0874.png" data-mid="156650303" border="0" src="https://freight.cargo.site/w/1000/i/dd3c315b4a72b7a25152e15d5cbc18f7893cbb204e2e66032d48ccc9a0bd36ff/DSC_0874.png" /> <img width="3320" height="1862" width_o="3320" height_o="1862" data-src="https://freight.cargo.site/t/original/i/085a0e4a776365da390af9fcd0081c74ac455908e9d68c6dff256fd28028ea54/Screenshot-2022-09-05-at-13.36.53.png" data-mid="156650324" border="0" src="https://freight.cargo.site/w/1000/i/085a0e4a776365da390af9fcd0081c74ac455908e9d68c6dff256fd28028ea54/Screenshot-2022-09-05-at-13.36.53.png" /> The Water Keeps Changing Color (2022) Digital video with sound, 5’19 A 3D animated moving image work following salmon fish who, with no water to go to, swim through the air. Their whispering voices abstractly narrate industrial histories and their ecological consequences, blurring fact and ficiton. With thanks to GS Artists, Arts Council of Wales and RAT TRAP collective Whispering voices: Gweni Llwyd, Owen DaviesInstall photo: Rhodri Brooks